“I am brave. I am strong. And I am not afraid.” // Review of “The Red Labyrinth” by Meredith Tate

Title: The Red Labyrinth
Author: Meredith tate
Genre:  Dystopian/fantasy
Intended audience: YA
Date Read: 25/05/19 – 28/05/19
Rating: ★★★★


I really enjoyed this! I wasn’t sure if I’d be in the mood for it, since I’d been reading a lot of MG and YA, and I felt like maybe I needed to go and read some adult fiction for a while. But this was really engaging… and that ending! Can only hope there will be a book two!

I really felt for the main character, Zadie. She’s had a lot of trauma, and while it was hard to read, it never felt gratuitous. It made a lot of sense within the world that Tate has set up. There were a few occasions where she made (or almost made) some stupid decisions – I could forgive it the first couple of times, but once she knew the labyrinth was out to get her, I expected her to be a bit more sensible. And a lot of the time, she was rather reactionary, and someone else needed to save her. At times this was frustrating, but it was actually part of her character development as well. As she grew into herself and realised there were parts of her that no one could take away, she took charge of her destiny.

I suspected that the there would be more to the character of Dex than initially met the eye and I was right. I really liked learning more about him as the book went on.

I wasn’t quite sure what to expect with Landon… it seemed that he was going to be a rather tropey YA love interest but… then he wasn’t. I don’t want to give much away but just know that Part Three was something I didn’t see coming, but it was really there all along. I came to a dozen realisations along with Zadie (and seeing her character growth in this section was really satisfying).

It does end on a cliffhanger so I will definitely be looking out for book two! The developments in the final act of this book leave room for so much to go down and I really want to see it play out!

(Thank you to the publishers and NetGalley for a free copy of this book in exchange for a review)

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“Magic was not something apart from her, something she could give up. It was the power of her deepest feeling, the power of who she was.” // Review of “Enchantée” by Gita Trelease

Title: Enchantée
Author: Gita Trelease
Audio book narrator:
Justine Eyre
  Historical fantasy
Intended audience: YA
Date Read: 14/04/19 – 11/05/19
Rating: ★★★


I was super excited about a historical fantasy set at the outset of the French Revolution. This turned out to be a bit more character-driven than I was expecting, but I did like a lot of those characters, so I enjoyed it enough.

It does get a big samey at times. There is a lot of back-and-forthing from Paris to Versailles, and the main character, Camille’s, thoughts often get go around in circles.

I felt there were only three characters that were really fleshed out: Camille, her sister, Sophie and their friend, Lesar, an young engineer who is involved with building a hot air balloon to fly across the Alps.

There are a number of aristocrat characters that Camilile befriends, and I have to admit, that I couldn’t really tell them apart. When the eventual villain was revealed, I had trouble remembering if we’d met him before.

The descriptions are probably this book’s strongest point. Whether Trelease is describing the opulence of Versailles or the dirt and grime of the poorest parts of Paris, she immerses the reader there.

I don’t know whether it was actually that the book got more interesting, or that I simply got out of a slump/not being in the mood for audio books, but I did feel things picked up in the second half of the book. There is a definite shift in atmosphere after the storming of the Bastille; you could feel the unease rippling through the characters.  While this might not have been my favourite, I recommend it for historical fantasy fans.

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“Every story has four parts – the beginning, the middle, the almost ending, and the true ending.” // Review of “Legendary” by Stephanie Garber

Title: Legendary (Caraval #2)
Author: Stephanie Garber
Target audience: YA
Date Read: 22/10/18 – 2910/18


I honestly thought this would be a 4 star read at least, and for the most part it was. It was really only the last few chapters that disappointed me but they left me feeling unsatisfied enough that it brought me overall rating down.

This book picks up pretty much exactly where Caraval leaves off, and follows Tella, who is drawn into a second round of Caraval in order to uphold her end of a deal to find her missing mother. 

I really enjoyed the expansion of this world. We got to see the capital of the country the story takes place in, and I could really picture it. There was also an expansion of the mythology and history, and I really loved how this was woven into the plot, and some of the characters we got to meet as a result. 

Like in the first book, I actually found the game itself a bit dull. The suggestion is that Caraval is usually much more general and it is only the two games described in the book that are tailored to individuals (Scarlett and Tella respectively). Still, it feels a bit of a stretch that so many people would play when there can really only be one winner, since the clues won’t make sense to anyone else. 

I don’t want to give anything away so I’m going to be rather vague about what happened in the end that left me disappointed. It was mostly the revelation of Legend’s identity. It just… didn’t seem epic enough after all the build-up. Some readers will probably find the whole scenario quite romantic, but I just rolled my eyes. 

The very ending was still compelling enough that I want to see the series through, but I can’t say that it is an all-time favourite. 

“I love you, Tella.” “I know. I wouldn’t be here if you didn’t.” // Review of “Caraval” by Stephanie Garber

Title: Caraval (Caraval #1)
Author: Stephanie Garber
Genre: Fantasy
Target audience: Young adult
Date Read: 17/09/18 – 21/09/18


I decided to pick up this book because I was in a circus mood for quite a while and this seemed an obvious choice. It wasn’t terrible, and I liked a lot of the ideas, but I ultimately felt everything was just a bit underdeveloped.

I’m going to start with the romance because that was probably the thing that stood out the most to me and not in a great way. Mostly because it only took place over five days, and I’m sorry, it’s not true love after a week. I’m not saying you can’t be attracted to someone in that time, but from Julien’s perspective, particularly, it wasn’t enugh time for such strong feelings to develop. And from Scarlett’s perspective, I didn’t buy that he was as important to her as her beloved sister after only a few nights.

Speaking of the characters in more general terms, I didn’t feel like they had a whole lot of personality. I will say I did like Scarlett’s development from doormat to… well, I won’t say she became badass, but she definitely became less doormat-y and grew into her own.

The plot and world-building had similar issues. I just wished everything was a bit… more. A bit more magic, a bit more exploration of the island, a bit more explanation of who Legend was and how and why Caraval was the way it was… There was a line in the last third that said something along the lines of “Scarlett had been collecting buttons since she’d been here” and my first response was “… had she?” Because nothing was memorable.

I also had some issues with the reveals in the final chapter. I know we were supposed to think the character orchestrating everything was terribly clever, but… it seemed far-fetched, and honestly made this character seem like a bit of a psycopath to put Scarlett through it all?

Having said all of that! I actually am still intrigued enough by this world that I am interested in reading the sequel. So make of that what you will.

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“It feels like music, like a heartbeat, like magic… Like Beauty.” // Review of “Hunted” by Meagan Spooner

Title: Hunted
Author:  Meagan Spooner
Audio book narrator: Will Damron, Saskia Maarleveld
  historical fantasy/fairytale retelling
Dates read: 28/01/18 – 03/02/18
Rating: ★★★★


Anyone who has followed this blog for a while knows that I am a fan of fairytale retellings. This book has been on my TBR ever since it was released, so when I saw the audio book available through my library’s digital borrowing app, I snapped it up.

With her father’s fortune in ruin, Yeva and her family return to the forest where her father used to hunt. When her father claims a beast is tracking him through the wood and then goes missing, Yeva sets out to find him. When she discovers he is dead, she tries to kill the beast she believes is responsible, but ends up a prisoner in his castle instead, told only that he needs a hunter to kill a quarry for him and break his curse.

The thing I loved about this book was the writing, and I think it was enhanced by two narrators with very soothing voices to carry the rhythm. For a while it bothered me that I wasn’t excited or invested about the characters, but after a while, I sunk into the story itself despite that. The characters are well-written, but not in such a way to get really invested in.

will admit I’m not an expert on Medieval Russia but the historical setting seemed very well formed to me. I loved the wintery atmosphere – all that snow! The descriptions are beautiful. I also really enjoyed the way this was not only a retelling of Beauty and the Beast, but also drew on the Russian story The Firebird. I spotted a few indications of the ties between the two stories early on in the book and was rewarded with the pay-off at the end.

If you like fairytale retellings, or atmospheric, character-driven fantasies, I definitely recommend checking this one out.

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Book Review: Fairytales for Wilde Girls by Alysse Near

Title: Fairytales for Wilde Girls
Author: Alysse Near
Genre: Dark, gothic YA/fantasy
Date Read:
15/07/2014 – 31/07/2014
Rating: ★★★★★


wildegirlscoverThis book. This book. I have a lot of feelings. At times I’m not sure why I loved it so much, and there were times while I was reading that I wasn’t planning on giving it more than 3 stars. But I was still thinking about it days after finishing it, so it clearly made an impression.

Isola Wilde, named for Oscar Wilde’s sister who died at the age of nine, can see things that aren’t really there. She has six “brother-princes” in the form of two ghosts, a fairy, a Fury and a mermaid (not all her princes are men) and she knows there is a unicorn herd in Vivien’s Wood, the forest near her house. One day she comes across the dead body of a girl in a bird cage, hanging from one of the trees in the woods, and soon after the same dead girl turns up at her window, telling her to turn down the volume of her heart and stay out of the damn woods. This sets off a chain of events that lead to Isola discovering that there is more to her life and to the magical world around her, than she realised.

On the surface, this book is a modern-day gothic fairytale, but it’s also so much more than that. It’s about life and death, love and loss, mothers and daughters, and living with mental illness. There were times when I got confused and wondered if I’d missed something, and there were other times when I felt like nothing was happening and the stakes weren’t as high as I was being told they were (actually there was a decent-sized chunk in the middle where that was the case), but I found myself compelled to read on anyway. It became clearer the more I read that it want really about what was happening on the surface, it was about what that symbolised. Usually I don’t go in for that sort of thing, but it was being symbolised with ghosts and fey and deconstructed fairytales, so how could I not? Everything fell into place in the last 50 or so pages and made far more sense than I had thought it was going to.

The cover, while lovely, is a little misleading; after seeing it, I was surprised that the book was set in the present day, and there were times when I felt the writing style clashed with the setting. But the illustrations in the book are beautiful, and exactly how I imagined the brother-princes to look. There were other things that bugged me, too, like Alejandro’s constant use of the endearment “querida” (he seemed to say it every time he addressed Isola, and I’m complaining about that as someone who swooned over Jesse in Meg Cabot’s Mediator series as a teenager). The character of Isola, and by extension, the book itself, did take a turn for the darker in about the third quarter of the book, which made me a little uncomfortable, but I think that was the point and she did come out of this eventually.

This is the debut novel from Alysse Near, and I certainly look forward to more from her, particularly if they are in the same dark, gothic, magical vein as this one.