Title: Music and Mirrors
Author: Celine Jeanjean
Genre: Historical fiction
Intended audience: YA/Adult
Dates Read: 20/06/2021 – 23/06/21
While I know that it’s a bit of a problematic trashfire, Phantom of the Opera is pretty much my favourite musical, so I was extremely excited when Celine Jeanjean announced to her advance team that she would be publishing a Phantom retelling this month. When I saw that gorgeous cover, my excitement only increased.
This is very different to Celine’s other books – her characteristic humour and snark are absent, and it’s a lot more character-driven that her other books. There were a couple of occasions when I found myself thinking “but nothing has actually happened“. Things had happened, though, but so much of it about the character arcs and what happens to them as people, rather than actual action or events.
And there are still hints of the Jeanjean signature style. I was getting some definite Viper and the Urchin series vibes from the descriptions of the feats of engineering in and under the opera house.
This version of the story is genderbent, with a female “phantom” and an aspiring bass-baritone opera singer. Also present is Ada Byron aka Ada Lovelace, in our own world commonly viewed as the earliest “computer programmer”. Jeanjean’s Ada is clearly autistic, even though the word obviously is never used. I wasn’t quite sure why it was necessary to have Ada Lovelace present as a character and not just an original aristocratic character, but in and of herself, I loved this character.
I wasn’t entirely sure what to make of Eric when we first met him, but he grew on me as the story went on. His love for his sister really shines through and it becomes clear early on that he will genuinely do anything for her. I also really loved that he respected Ada’s boundaries and the fact that she didn’t make eye contact or want to be touched.
In the original story, we learn about Erik’s disownment by his mother and how he travelled Europe and Asia before taking up residence under the Opera House. I wish we had got a bit of a similar backstory for Miriam, the Phantom equivalent in this story, especially given that she was the owner of the opera house and incredibly wealthy. I was intrigued where all that came from. Jeanjean does a good job of humanising the character without justifying her terrible actions, and I certainly sympathised with her as she realised towards the end that her loneliness was mostly of her own making.
I am pretty sure this is intended as a standalone, but I’d be interested in seeing more of these characters if Celine is willing to revisit them. I feel like there’s still so much ahead of them that could be explored!
Thank you to the author for a gratis copy of this book in exchange for a review.