Title: The Fictional Woman
Author: Tara Moss
Audio book narrator: Tara Moss
Date Read: 20/06/2016 – 26/06/2016
I had been thinking for a while now that I really should be including a bit more non-fiction in my reading, and when I saw Tara Moss’ memoir available through my digital lending library, it seemed like a good place to start. It was a blog post written by Moss on the gender bias in book reviewing in Australia that gave rise to the Australian Women Writer’s Challenge, so even when I was getting a little bored with some of the content of this book, I felt I should push through in order to be able to review it properly.
Tara Moss was born in Canada and embarked on an international modelling career at the age of 16. At 25, she quit modelling and published the first in a successful crime series, and has since followed that up with many other novels. Her experiences as a woman have been many and varied, and she discusses both the labels she gives herself and the labels others have imposed upon her over her career. She combines this with social commentary on the ways women are represented in media, and provides stats and significant backup for her arguments.
I found that the strength of this book were Tara’s personal anecdotes. It was both horrifying and fascinating to hear of the ins and outs of the modelling world, the sexism she experienced in different places she was sent to work, and some other entertaining stories that she included along the way. I am fairly sure I could hear her voice breaking as she talked about being raped at age 20, by a friend (as is actually statistically more likely that the narrative of the stranger in a dark alley), and I felt a lump in my own throat as I listened to her talk about the two miscarriages she experienced, and how miscarriage is so much more common than anyone realises.
The data that she also uses in her book is extremely important and is material that should be common knowledge for everyone. If this book leads someone to the startling surprises regarding such issues as pay gaps and other gendered issues, then that is great. But for someone like me, with even a passing interest in feminism already, I found that a lot of it was stuff I already knew, and in the chapters that were more social commentary than memoir, I found myself getting bored, as I was treading familiar ground. There were times when Tara’s points of view and arguments did not entirely line up with my own, and I appreciated the opportunity to consider why I disagreed with what she said. However, this was fairly rare.
Having said that, I realise that change happens very slowly, and that with movements such as feminism, often things have to be repeated over and over before those in power really get it. So from that perspective, I do appreciate and applaud Tara Moss weighing in on this important subject.
(This review is part of the Australian Women Writers Challenge 2016. Click here for more information).